I’ve shot for dozens of directors over the last 20 years. The collaboration process is energizing and rewarding. I am a people pleaser. I want the people I am working for to be happy and satisfied with my work. The greatest compliment is to be called back to work again.
I’ve received more than 30 awards as a director of photography. I am comfortable shooting documentary style, set work in a studio or table top. Of course, the crew is largely responsible for how projects ultimately look. My job is to make sure that everyone understands the shot requirements and has the right tools to do their jobs. If they look good, then I look good and then my clients look good. Then I get called back. As I said, that’s important to me.
We will deliver the right crew for your shoot’s requirements, regardless of complexity, and regardless of location. For over ten years we have been called upon to supply simultaneous production teams to facilitate the field and studio shooting requirements for large corporate annual meetings. It is not uncommon for us to have three or four productions on the same day in different locations. We are dedicated to delivering the highest quality pictures and sound.
Panasonic HDX-900 HiDef. 1080i / 720p selectable - Canon wide angle lens. Matte Box. 17” and 9” HD monitors
Panasonic SDX-900 24p dvcPRO 50. 4:3/16:9 - Canon Lens 12x6.5 (wide angle) with 2x extender.
Panasonic AG-HVX200 HiDef P-2 format.
One-ton extended grip van package with tungsten fresnels and kinos.